History of an anonymous, shallot-groomer Chapter 35
James was already quite depressed before Tania distance himself: after his disappearance came at a time even blacker losing all interest in the work as already had happened to him following the tragic death of Flora. If you could give yourself a diversion from becoming the first in the laboratory to replace the member during the periods of relative calm, now the situation had clearly deteriorated and was no longer able to organize as he wanted. But tormented him a sense of remorse for having exploited Tania always pretended not to notice that she, more than friendship, he aspired to something more engaging. You may want to pose the a victim of a cynical cheat fate, and with this pretext, to play the part of the poor forlorn battered by the doom and misfortune. To balance the bad that had happened was not in fact better than to take his occasional lovers in the laboratory and as soon as the job allowed it, have a good time in the back shop merrily ignoring, not without a touch of malice, the look of disapproval, but also of anxiety, which Tania's launched. He certainly pulled the rope too and eventually it was broken.
just had to find his partner, maybe grovel before her, give her some small sop to do it sober, but absolutely restore many benefits that cooperation which had caused.
Owning a bunch of keys Tania often went to check she was not coming up in the meantime, though, approaching his home, ran the risk of hitting former girlfriend or missed in-laws. It is not that what upset him most of that time or better, to tell it right, some day I hope to meet the girl, while others would have walked willingly into the walls so as not to be recognized. Depended very much on his mood, as he had spent the night and what memories were rekindled in his mind as he tried to take sleep. In a few moments and then strove to stand out, climbed the stairs and loudly slammed the door, others remembered the bitterness of the past history of that troubled period for when anger took over the desire to embrace his first love confusing huge ideas. In these circumstances, the figure of Flora stood out as sharp as a real presence and seemed to want to blame for the turn that took his life and for the last shred of dignity they had lost to racing following of people who did not deserve it . He was convinced, in the circumstances, having now passed the stage of their lives better and having expect from the future, only difficulties and sufferings.
arrived in the apartment of a member each time they explore in detail a small part out of curiosity than hoping to find some information that allowed him to trace the woman. It was nevertheless prepared for any kind of surprise because Tania, it was quite certain now, had a split personality and therefore acted and behaved quite different in two ways: one side with him and with the score of the laboratory, the 'contact with other persons of high rank with whom she most interesting relationships and friendships of high caliber. It was not like that, but James was certainly fooled by Tania exchanged extensive correspondence with many of the brothers who, after passing the primary difficulty, had achieved professional positions of great prestige.
During his meticulous inspections was difficult for him navigate an enormous amount of photographs, manuscripts, documents that show how his partner had not only resigned quell'esserino and frightened him first and that many had believed, but a and determined person, one could infer from that that even very resourceful: he wanted to pose, for whatever reason, to humble and ignorant groomer, but instead proved to have a solid education and a vast culture.
The ticket that she had left, written in shaky handwriting and full of spelling mistakes, was not in fact the last hoax concocted to appear in his eyes, like a poor ignorant while the reality was very different. He could not guess the purpose of the staging, but perhaps it would come to a conclusion by continuing to investigate and catalog the material that came to hand. If he had looked more closely at the many photographs in several folders acknowledged in addition to the snapshots that portrayed in poses and different circumstances, even the face of Naomi and other familiar faces. But if it was methodical and orderly when any other document's created a certain discomfort hundreds of pictures in which he was often depicted in rough or very specific situations: for example, sitting on the toilet or while they gazed attributes before welcoming the mirror. He could not grasp the meaning of that collection and, figuring that most of the photos related to him, had lost all interest in that kind of research.
James, after returning home in the town and have opened their own business, went through several months of complete confusion. Formed as a result of the company Tania just trying to get back on track supported by a person who believed honest, enterprising and hard worker. At the same time tried to live together, which lasted only a few weeks later, with a client of the laboratory, a certain John, a little older than himself, and recently by her husband's breakaway. It was, to tirarsela at home, a decision which was immediately sorry but without the clarity necessary to return immediately to where they started dismissing the woman, and ended by declaring that experience so much trouble that would have caused. Joan, as well as being very beautiful, was also very demanding and was also in tight economic after her husband had put her at the door having discovered her yet another betrayal. Among lawyers, health centers, wealthy friends, theater, bar, attached and connected to grind money like crazy un'idrovora and was expected to remain within the James as luxury ex-husband. The boy was easily sucked into spirals of that wily seductress and equally rashly sought solutions that would allow you to navigate to their level meeting their demands. It was not in a position to make rash spending, rather it was arrabattare with the little that passed the convent, even though he had waived his laboratory to settle in to Tania and was able to be reduced, but only slightly, the monthly rate of reimbursement which he made to the father of Flora and its members. At that moment, certainly not happy then Joan broke into his life settling in the small apartment that the boy had to rent a sudden maneuver, a sort of coup, he could not oppose. He knew the men and was conscious of her beauty that he was playing hide and seek ways in which James, in the throes of infatuation stunning lightning, he could satisfy every point of view. For the boy ran after near bankruptcy by the usurers, the only ones who, in a situation where si trovava, gli avrebbero potuto concedere dei prestiti.
Ad una manciata di giornate relativamente tranquille seguirono settimane terribili in cui il ricordo della tragedia che l'aveva mandato in depressione si accompagnava alla certezza di essersi cacciato in un grosso guaio, ad un lavoro che stentava a decollare ed alle preoccupazioni che ogni notte riaffioravano durante un sonno perennemente agitato. A tutto ciò si era aggiunta la presenza costante di alcuni loschi figuri che gli stavano sempre con il fiato sul collo e lo minacciavano di terribili ritorsioni qualora egli non fosse stato puntuale nei rimborsi. Erano pretese sempre più cospicue e se riusciva a restituire una somma, gliene rimaneva sempre fuori un'altra altrettanto heavy, which had previously acquired: the accumulated interest to other interests so that the debt, instead of declining, increased because of delayed payments forever. Subtracted something from the common fund of the laboratory, he had immediately noticed Tania, but earnings were still insufficient to stem the hole that was forming as a result of his foolishness. Then took refuge in the arms of Joan, taking advantage of those rare moments that he could carve away from work and thugs, as others would appeal to a drug or alcohol. Thus became increasingly dependent on women and could not stay away for hours even when it was forced, reluctantly, to send on the laboratory.
arrived very early time when lenders confronted him brutally, until then had been quite formal in their requests, notifying a final ultimatum. He had meanwhile signed a package of bills a foot high and did not know how to meet its commitments. He thought of suicide, but did not have the courage to implement this regard. One evening, while John was in the office of his lawyer and was deciding on the separation from her husband, two thugs burst nell'appartamentino, pinned the boy on the couch and a knife to the throat ordering him to pay the outstanding amount within three days . That night James, prey on terror, but without having had the courage to tell his wife what had happened, took refuge in his arms and held her alarm clock trying to live these moments as if they were the last of his life: delayed , believed to have the right, the passing of time and the sunrise. Joan was surprised to quell'irruenza that he had never shown in the same manner, the last time was in fact very distracted, but unrelated to the vicissitudes of being young and too insensitive to capture the mood, not that he was pleased with itself for having finally found the man of her dreams. Compared him outside his astonishment, a tireless stud quadruped not imagine any way that the boy, the more stunned that horny, I just want to clear your mind. And if in the physical and what it could at that time to give James might look like a fiery animal, his soul was miserably pulping as a piece of lard in a mortar.
passed the three days that had been granted by the lenders, but they never did anything: calm on all fronts! The boy went out early in the morning and came home late at night taking care to make as little noise as possible. She had thought to leave the job and Joan to escape from that place that had become his prison, or to take refuge at the home of his parents, but his father, in those days, had suffered a bad stroke. Imagined to ask for help from his ex-girlfriend involving also the lack of laws, but did not have the courage to face them after they had found in intimate behavior with Giovanna throwing, so at least it seemed to him, unmistakable looks of disapproval. However
had passed the three-day ultimatum and irreparable nothing had happened.
went fourth and fifth day he received no news from his captors, came the end of the month that was pretty close, and what he feared did not happen.
and began to resume his old habits, to return home as soon as possible, discreetly inquired as to whether the police had made some round-by-case basis, but to no avail.
After a fortnight gave marching orders to John which was really bad as he was now convinced he has finally found a classic chicken plucking and the male fiery long sought and began to imagine that his persecutors had taken the disorder for some mysterious divine plan: his luck was still seeing!
With your hands in the most secret drawer of the sideboard Tania was extracting a bin of plastic smaller than the ones that had occurred so far at hand. He opened it and immediately recognized the pile of bills that he signed the loan sharks. Apparently his partner was time to withdraw before they could happen, something irreparable and had always been silent this detail.
He put the effects in the wallet, he collapsed on the couch littered with photos and burst into tears. Figures of Flora and Tania's overlapped in the mind first then disappeared and the emaciated face of severe social stands and clear-cut on the wall in front of him: he was mumbling something, but he was still pretending not to understand. ; He jumped up from the couch felt very weak and confused, he closed his eyes because that vision bothered him, but Tania's face began to bounce in his mind like a spinning top gone crazy. Then went out running towards the road, down the stairs three at a time, almost overwhelmed his former girlfriend who had decided on that day and after long hesitation to lurk along the path, like a sprinter overcame the long straight of the course that began to come alive and flung himself upset at home.
Sunday, February 13, 2011
Friday, February 11, 2011
Bolt Size Honda Pilot License Holder
BOLOGNA / TURIN: STAGE OF MIMO AND PHYSICAL THEATRE WORKSHOPS
Date: February 26 to 27 in Bologna, 2 to 3 April in Turin.
Hours: 10:00 to 13:00, lunch break, 14:00 to 18:00
Locations: Bologna: Youth Center Blogos (Ex Shot ') Via dei Mille, 25 - Casalecchio di Reno (BO)
; TURIN: Physical Theatre Workshop, located in Via Onorato Vigliani 11 / 7
Price: 80 €
Deadline: BOLOGNA: February 24, TORINO: March 28
WARNING! To confirm your subscription you must pay a deposit (20 €) by the deadline of entries.
________________________________________________________________
Date: March 12 to 13 in Turin, 26 to 27 March in Bologna.
Hours: 10:00 to 13:00, lunch break, 14:00 to 18:00
Locations: TORINO: Physical Theatre Workshop, located in Via Onorato Vigliani 11 / 7
; BOLOGNA: Youth Center Blogos (Ex Shot ') Via dei Mille, 25 - Casalecchio di Reno (BO)
The essential is invisible to the eye
STAGE OF INTRODUCTION TO MIMO
BOLOGNA, 26 - 27 February 2011
TORINO, 2 - 3 April 2011
The magic of making the invisible visible. The ability to turn your body into an object, animal, environment. The ability to tell stories with the only (?) Gestures. Not only that breakdown, insulation, quality of movement, body expression, self-consciousness. Etcetera, etcetera ... .. The art of mime is boundless, and lots of genres, schools and ideas. The internship provides the fundamental theoretical and technical bases to look out into this world. E 'for you if you have never approached directly to the mime, or for those who have addressed only one aspect but it is curious to see others.
Topics:
body scene and body expression.
Elements of Physical Theatre;
creative imagination and vision;
Working with the Unseen;
classical techniques of mime, pantomime
Bianca
use of music on stage;
Improvisations and creation lab;
Further theoretical and audio-visual on the history of mime.
Elements of Physical Theatre;
creative imagination and vision;
Working with the Unseen;
classical techniques of mime, pantomime
Bianca
use of music on stage;
Improvisations and creation lab;
Further theoretical and audio-visual on the history of mime.
Technical Reference:
Etienne Decroux, Marcel Marceau, Jacques Lecoq, Philip Root.
Practical Information:
Date: February 26 to 27 in Bologna, 2 to 3 April in Turin.
Hours: 10:00 to 13:00, lunch break, 14:00 to 18:00
Locations: Bologna: Youth Center Blogos (Ex Shot ') Via dei Mille, 25 - Casalecchio di Reno (BO)
; TURIN: Physical Theatre Workshop, located in Via Onorato Vigliani 11 / 7
Price: 80 €
Deadline: BOLOGNA: February 24, TORINO: March 28
WARNING! To confirm your subscription you must pay a deposit (20 €) by the deadline of entries.
________________________________________________________________
Jobs Corps
stage of introduction to physical theater
TORINO, 12 - 13 March 2011
BOLOGNA, 26 - 27 March 2011
The studying the physical theater theater phenomenon from the body of the actor (his instrument like a piano for a pianist), and movement on stage. Through a path that winds through sensory exercises, techniques of mime body autocorsi and theoretical principles of staging, the student learns to handle himself on the scene, to communicate throughout the body, any kind of theater is doing. Because the body will always communicate, whatever. E 'is therefore essential to know in control and exploit its full potential.
The study of physical theater becomes an experience of play-knowledge 'and how to communicate with others, because the theater is primarily a game. Sometimes crazy, sometimes it is very serious. It has many rules. Exactly: it is a game .
topics:
- Neutrality and physical expression.
- stage presence and energy levels.
- The theatrical gesture, including synthesis and truth.
- The construction of a physical character.
- Clean economy of gesture and movement.
- Report word - action.
- Use of the music scene.
- Specific techniques of physical theater applied to the scene.
- Laboratories of creation.
INFORMATION:
Hours: 10:00 to 13:00, lunch break, 14:00 to 18:00
Locations: TORINO: Physical Theatre Workshop, located in Via Onorato Vigliani 11 / 7
; BOLOGNA: Youth Center Blogos (Ex Shot ') Via dei Mille, 25 - Casalecchio di Reno (BO)
Price: 80 €
Deadline: TORINO: March 7, BOLOGNA: March 21
WARNING! To confirm your subscription you must pay a deposit (20 €) by the deadline of entries.
Deadline: TORINO: March 7, BOLOGNA: March 21
WARNING! To confirm your subscription you must pay a deposit (20 €) by the deadline of entries.
Thursday, February 10, 2011
2 Days Late For Period
: WITH SUIT IS INVESTIGATING THE IMAGO Displace
Displace suit is the way it governs us at this time. It is the dust that envelops us all and not make anything clear, nor what we have or what we have lost forever. It is the house that we will never, movement and constant change that characterize our lives. It is the race of an entire civilization, like ours, to its inexorable destruction, is our attempt to place ourselves within this collapse, this slippage. It is the term used in English to refer to refugees who are "displaced", arranged more or less coercive in a place other than the home: migrants, refugees, exiles. In Italian would be translated as "crowding out", a word that has more to do with mood than with a political status, a state of mind fuzzy, nebulous, confusing its limits, its boundaries with those of others: do not know how you feel, what feels, in relation to the other and the space around us.
doubt about their feelings.
"I think of hospital beds and the thoughts you are there when you are in, and the beds of the hotel rooms and incredible moments that you can pass, or get lost in the streets of a city I thought I knew, or the feeling you get when we are reduced to screaming at the news, or the incredible closeness and distance that you have against the person who you love, be so close and so far, and learn to live in this state, learning to love a place that can not hide nor flee. I think it's a great place to live. "
Tim Etchell
An intensive workshop on" displacement "during which an investigation of the different possible aspects related to the theme of displacement and displacement in general: political, emotional, abstract , comedians. Try to live in a state of mind and possible reactions to the first hypothesis. Build and deploy images and actions in space, living space in flux, because of thresholds and boundaries, real or imagined, to manage the waiting time forced, being thrown off course, move constantly, move, building unstable structures, support systems, improvisation, props, temporary support. A workshop open to anyone who wants to deepen the relationship between your body and the space surrounding it, light and sound, to those who share or believe to share this feeling and I want to investigate more direct and material aspects. A first step of a three-day journey that will continue, who knows when, somehow, who knows in which direction. Brief Bio
Muta Muta Imago Imago was born in Rome in 2006. It is a research project led by Riccardo Fazi, Claudia Sorace, open and aimed at testing of different artistic languages, in the name each time rather than an aesthetic or general rules, but the project and the particular theme that you choose to deal with. The video, installation, music, body, light, action on the space, through which the elements are creating worlds and stories of assumptions at the heart of which the investigation of the relationship between the human being, the space and time, plays a major role. Between 2007 and 2009 produces the shows (a + b) 3, Lev, Madeleine, trilogy that explores themes of memory and separation, which were hosted in theaters and festivals, including Festival Premieres (Strasbourg ) Bipod Festival (Beirut), Centro Parraga (Murcia), Face à Face - Théâtre de la Ville (Paris), Festival International des Brigittines (Brussels), Sophiensaele (Berlin), Trafo (Budapest), Temps d'Image (Cluj) Clipa Adum (Tel Aviv) and national, including RomaEuropa Festival, also co-producer, Vie Scena Contemporanea Festival, the Theatre Santarcangelo. In 2009 Naples Theatre Festival creates for the site-specific performance Naples. First step in the city below. In the same year he won the Special Prize Muta Imago Ubu, the Jury Prize from the National Critics Award and DE.MO. / Movin 'UP. In the same year he won the Claudia Sorace Knighthood Youth of the Province of Rome and the International Prize Valeria Moriconi as "Future of the scene."
The workshop is residential, including accommodation and food in the guesthouse of the arboretum.
Working Days: 3 (7 hours per day)
working hours (approx.):
Day 1, Friday, March 11: 10.30/12.30 - 14.30/19.30
Day 2, Saturday, March 12: 10.30/12.30 - 14.30/19.30
Day 3, Sunday, March 13: 10.30/12.30 - 14.30/19.30
Selection Mode:
The maximum number of participants is set at 15.
To participate you must first send teatrodimora@arboreto.org
- Curriculum Vitae
- A photo of themselves placed within a space in which we move normally.
The photo must be taken specifically for the laboratory.
Specific requests:
Each participant must prepare a brief for the laboratory performance action related to the concept
displacement.
Registration Fee:
The registration fee is € 185.
The registration fee includes:
- Membership to our Association (annual fee of € 15)
- Accommodation in a guest house (rooms 3 and 4 beds, shared bathrooms, shared kitchen)
- Sheets and blankets (but not towels)
Meals is charged for each student. The guest house is equipped with a kitchen equipped to cook and eat
.
Payment:
To confirm your attendance and register for the workshop, it is necessary (make the payment in amount of € 135
through one of the following ways: 1
.
MONEY ORDER made out to the arboretum cultural, Alley Rubber , 8-47921 Rimini
indicating the name and reason for payment.
2.
BANK Cultural Association The arboretum
Banca Popolare dell'Emilia Romagna
Agency Via IV Novembre (Rimini)
IBAN: IT 32 Q 05387 24201 The remaining
000000854301 share of € 50 will be welded on the first day of lab.
Once the payment is preferred to fax or mail a copy of the
payment, because the originals often come very late.
---------------------- For further information: Associazione Culturale
The arboretum
dead rubber 8-47921 Rimini
tel. and fax 0541.25777 - tel.
mobile 333.3474242 mail: teatrodimora@arboreto.org
11 to 13 Displace March 2010. Move or shift the position or place usual
in particular, to force to leave their homeland.
in particular, to force to leave their homeland.
conducted by Imago
Displace suit is the way it governs us at this time. It is the dust that envelops us all and not make anything clear, nor what we have or what we have lost forever. It is the house that we will never, movement and constant change that characterize our lives. It is the race of an entire civilization, like ours, to its inexorable destruction, is our attempt to place ourselves within this collapse, this slippage. It is the term used in English to refer to refugees who are "displaced", arranged more or less coercive in a place other than the home: migrants, refugees, exiles. In Italian would be translated as "crowding out", a word that has more to do with mood than with a political status, a state of mind fuzzy, nebulous, confusing its limits, its boundaries with those of others: do not know how you feel, what feels, in relation to the other and the space around us.
doubt about their feelings.
"I think of hospital beds and the thoughts you are there when you are in, and the beds of the hotel rooms and incredible moments that you can pass, or get lost in the streets of a city I thought I knew, or the feeling you get when we are reduced to screaming at the news, or the incredible closeness and distance that you have against the person who you love, be so close and so far, and learn to live in this state, learning to love a place that can not hide nor flee. I think it's a great place to live. "
Tim Etchell
An intensive workshop on" displacement "during which an investigation of the different possible aspects related to the theme of displacement and displacement in general: political, emotional, abstract , comedians. Try to live in a state of mind and possible reactions to the first hypothesis. Build and deploy images and actions in space, living space in flux, because of thresholds and boundaries, real or imagined, to manage the waiting time forced, being thrown off course, move constantly, move, building unstable structures, support systems, improvisation, props, temporary support. A workshop open to anyone who wants to deepen the relationship between your body and the space surrounding it, light and sound, to those who share or believe to share this feeling and I want to investigate more direct and material aspects. A first step of a three-day journey that will continue, who knows when, somehow, who knows in which direction. Brief Bio
Muta Muta Imago Imago was born in Rome in 2006. It is a research project led by Riccardo Fazi, Claudia Sorace, open and aimed at testing of different artistic languages, in the name each time rather than an aesthetic or general rules, but the project and the particular theme that you choose to deal with. The video, installation, music, body, light, action on the space, through which the elements are creating worlds and stories of assumptions at the heart of which the investigation of the relationship between the human being, the space and time, plays a major role. Between 2007 and 2009 produces the shows (a + b) 3, Lev, Madeleine, trilogy that explores themes of memory and separation, which were hosted in theaters and festivals, including Festival Premieres (Strasbourg ) Bipod Festival (Beirut), Centro Parraga (Murcia), Face à Face - Théâtre de la Ville (Paris), Festival International des Brigittines (Brussels), Sophiensaele (Berlin), Trafo (Budapest), Temps d'Image (Cluj) Clipa Adum (Tel Aviv) and national, including RomaEuropa Festival, also co-producer, Vie Scena Contemporanea Festival, the Theatre Santarcangelo. In 2009 Naples Theatre Festival creates for the site-specific performance Naples. First step in the city below. In the same year he won the Special Prize Muta Imago Ubu, the Jury Prize from the National Critics Award and DE.MO. / Movin 'UP. In the same year he won the Claudia Sorace Knighthood Youth of the Province of Rome and the International Prize Valeria Moriconi as "Future of the scene."
The workshop is residential, including accommodation and food in the guesthouse of the arboretum.
Working Days: 3 (7 hours per day)
working hours (approx.):
Day 1, Friday, March 11: 10.30/12.30 - 14.30/19.30
Day 2, Saturday, March 12: 10.30/12.30 - 14.30/19.30
Day 3, Sunday, March 13: 10.30/12.30 - 14.30/19.30
Selection Mode:
The maximum number of participants is set at 15.
To participate you must first send teatrodimora@arboreto.org
- Curriculum Vitae
- A photo of themselves placed within a space in which we move normally.
The photo must be taken specifically for the laboratory.
Specific requests:
Each participant must prepare a brief for the laboratory performance action related to the concept
displacement.
Registration Fee:
The registration fee is € 185.
The registration fee includes:
- Membership to our Association (annual fee of € 15)
- Accommodation in a guest house (rooms 3 and 4 beds, shared bathrooms, shared kitchen)
- Sheets and blankets (but not towels)
Meals is charged for each student. The guest house is equipped with a kitchen equipped to cook and eat
.
Payment:
To confirm your attendance and register for the workshop, it is necessary (make the payment in amount of € 135
through one of the following ways: 1
.
MONEY ORDER made out to the arboretum cultural, Alley Rubber , 8-47921 Rimini
indicating the name and reason for payment.
2.
BANK Cultural Association The arboretum
Banca Popolare dell'Emilia Romagna
Agency Via IV Novembre (Rimini)
IBAN: IT 32 Q 05387 24201 The remaining
000000854301 share of € 50 will be welded on the first day of lab.
Once the payment is preferred to fax or mail a copy of the
payment, because the originals often come very late.
---------------------- For further information: Associazione Culturale
The arboretum
dead rubber 8-47921 Rimini
tel. and fax 0541.25777 - tel.
mobile 333.3474242 mail: teatrodimora@arboreto.org
Wednesday, February 9, 2011
Why Does Oreos Make My Poop Black
LIVORNO: STRALIGUT THEATRE PRESENTS ONLY RH
Email: edgarluve@yahoo.it
Mob: 347 3055618
of Vitaliano Trevisan
By Thomas Innocenti
Costumes Barbara Trisciani
Scene Matthew Severini
Assistant Director Constance Meremmi
Directed Francesco Perrone
Straligut Theatre 2009 Production
with the support of Tuscany Region
one man, left to himself, finally released from his ghosts and his obsessions by writing on the walls of his home a love story full of bile and bitterness. Living a story, tell it, to fail in both. That's the point. One can not fail, we can only respond to the awareness of failure. No ambition, no passion. "Romantic, African literature": abandon the hypocrisy and grabs my anger as a weapon. Abandonment I trust the lies and the fiction of a story released by the dictatorships of compromise. Only at the end, however, only the extreme exasperation. The words are never enough. They are always new ones to shore up the building of my speech. And even the new ones break down, pile up. There is more that the page may contain. All that remains is the building, this time the real one. Up to fill all the blank space. To get rid of the shadows. Until all the dust is laid. Until dawn.
Single ticket 5 Euro
Info & reservations Email: edgarluve@yahoo.it
Mob: 347 3055618
Monday, February 7, 2011
Game That You Do Hair Do Nails
History of an anonymous, shallot-groomer Chapter 34
White
When she resigned to open the new activity with Mrs. Agosti Bianca Maria was taken by hardship: was now really in trouble! Paul had moved away, he could no longer count on the help of her sister, the father of the latter, if only he could give useful advice, had just died, his granddaughter, hurry in a hurry to fix the practices father at a hospital, had returned to Venezuela .... a disaster on all fronts!
But what weighed more than the teacher's behavior was the keeper Mirko. He was deluded that they can count on his presence and his help pulled him out of trouble after wandering in despair from a friend asking another hospitality for themselves and their animals. He had hoped that, like his brother in days gone by, harbored a bit 'affection for her, but he, after the aid is kept well away from the teacher and to avoid any possible contact by phone. At first he imagined that he was still shocked by the tragic death of Flora and of course without having the evidence, he was involved, perhaps indirectly, in the tragic event. But the months passed and the farmer was always more distant: Bianca then relived the anguish that had accompanied her to the time that Dino had left without explanation throwing into turmoil.
launched every type of bait and even resorted to every expedient di accalappiare Mirko, ma egli, come un pesce ormai esperto e molto accorto, schivava senza alcuna apparente difficoltà ogni trabocchetto. Un paio di volte, con i pretesti più fantasiosi, lo raggiunse nella sua nuova dimora, ma l'allevatore si mostrò molto distaccato se non addirittura infastidito per quella, con ogni evidenza, sgradita visita. Poichè appostamenti e pedinamenti continuavano, un giorno egli affrontò Bianca: "Forse mi stai scambiando per mio fratello, ma io sono di tutt'altra pasta. Non ho alcun interesse per te: ti ringrazio per avermi aiutato, ma senza alcun dubbio me lo dovevi. Gira quindi alla larga da me e dal mio allevamento!" Come al solito non aveva avuto peli sulla lingua ed era was very direct in presenting his point of view.
For White was a terrible blow: she was now certain that his life was spent in solitude among the laboratory and home, alone and wandering back and forth until old age. Never resign themselves to this situation and, in a sort of revenge, began to harass women who, rightly or wrongly, believed they enjoyed a satisfying emotional situation. His thirst for revenge touched the grotesque and often fire on everyone blaming people, unable to interpret some of his behaviors, were a little 'crazy. She had become perpetual as acidosis and, having no bone suck, envied women more fortunate, but at the same time denigrated by comparison to the bleak and prostitutes standing up to another's moral guardian.
also was a very vindictive type who could not forget the wrongs, big or small they were: he had avenged his sister first, when he thought that there was an ongoing affair with Dino, then Paul, reducing it almost on the pavement, then to Virginia, relegating the role of a kitchen maid, now she would take revenge even in respect of Mirko.
He asked, even took on the might of the people informed of what happening at the farm, brigades and investigated to reach an absolute certainty: the farmer had a mistress! Things were actually a bit different, but White was already blinded by jealousy.
Saliva sometimes serving as a young farmer, with his own laboratory, from a collection point for animals that would then be housed in the board of Mirko. It worked very well for at least two seasons and customers preferred to leave their pets in the city rather than go up the narrow winding dirt road that led breeding. Miriam, the groomer, we earn something and had the exclusive of the grooming end of the stay; Mirko you save some 'street and the hassle of continually having to house people. Existed between the two young men therefore, a simple business relationship, without any implication. Miriam it was engaged for many years with a young man in the area and Mirko had never expressed an interest in the girl shy and timid at first sight it might seem too nasty. He appreciated beauty more provocative and less introverted women to notice quell'esserino minute and delicate, like a rag doll, which seemed to sip the words limited to the essentials.
Owning an angular and taciturn character he was fascinated by the exuberance Miriam and certainly did not possess this virtue. Saliva often breeding and lingered for a short time as if the presence of Mirko annoyed. The boy always felt a sense of unease trovandosela before, became much too hasty and could not wait that the girl took his leave. They were in some ways similar to the sensations he had felt in regard to Flora, but she could not wait to escape, but in this case did not feel any attraction, you certainly showed quell'incontrollabile desire to possess it, renewing and repressing suddenly at each meeting, was the basis of his frustrations. More simply, the boy remained puzzled by the behavior of a person so silent, it was necessary cavarle the words of mouth, which looked him from head to foot without expressing any opinion as if to investigate, form opinions, and then jealously hide their conclusions were not for nothing to be flattering.
In a rather confused young girl discovered in attitudes that looked familiar, he almost always well behaved towards one's neighbor, and perhaps because of it bothered him. It was like seeing a reflection in a mirror without wanting to recognize.
But, blinded by jealousy, had made quite different idea.
He thought long about what to do, then decided to involve her sister in the plan, as had happened to Paul and Denise, had carefully studied at the table. Invent a story according to which Mirko absolutely incredible, already determined to enlist the help of Anna Maria to set up a grooming at their farm, he now prefers to agree with Miriam that, despite being selected, was resorted to defamation and slander in respect of the older colleague. A story completely invented for the sole purpose of spreading weeds increasing tensions.
Miriam actually era una ragazza semplice e generosa che si teneva alla larga dai propri colleghi toelettatori badando più ad impegnarsi nel proprio lavoro che a contrastare l'invidia e le maldicenze altrui. Figlia di un maestro elementare ed orfana di madre di giorno seguiva la toelettatura e di notte, a settimane alterne, assisteva un'anziana inferma della sua zona. Tempo per divertirsi gliene rimaneva pochissimo e voglia di polemizzare con l'agguerrita concorrenza ancora meno. Considerava Mirko come un essere piuttosto primitivo per cui i loro rapporti erano ridotti all'essenziale con, da quanto si poteva constatare, reciproca soddisfazione. Il fidanzato, agente di viaggi, non aveva alcun interesse per il lavoro della ragazza but this does not fail to help in time of need. He claimed however, that Miriam does not leave too involved in those initiatives, often impromptu, breeders and groomers who plan to continue more in order to denigrate each other for obtaining the practical benefits. Competitions, courses, workshops and anything else not thrilled Miriam and her boyfriend left indifferent to which, by mutual agreement, they would spend the few days of freedom in some tourist site nearby instead attend to the numerous events organized in every period of ' year.
Some saw it as too snobbish for this, but his was an apt decision that allowed her to deal with greater commitment and renewed optimism days of hard work.
Bianca was convinced then that Mirko had affair with Miriam, and this certainty sent her into a rage. Brig Anna worked in the shadows until he decided to get the much insulted grooming.
"What the hell spreading of rumors going around?" cried the girl going into the laboratory and trying to jump over the railing that enclosed working area.
Miriam fled to cower in a corner of the room behind a heavy table grooming: did not know that person that had come screaming into their store nor could imagine what he was talking about.
"I am the best groomer in the region and will not tolerate being put about the unsubstantiated rumors that I paint like crazy hysterical. Work on farm Mirko must be entrusted to any cost!" So saying, he undermines his poor saloon door that separated the waiting room from the lab itself, moved the heavy table and rushed him to Miriam trying to strangle her. Luckily inside the room were two tough customers, father and son, who managed to stop Anna and steal the girl from his clutches. Everything happened in the interval a few minutes, but the screams were so high that many people rushed on the spot from the street and from the restaurants nearby.
Miriam, white as a sheet and wound at various points even though not seriously, he went back in and phoned the boyfriend for you to come to the rescue: still could not explain the dynamics of the event and tried to imagine what had triggered such an explosion of anger.
the Police who arrived on the spot, after a brief reconnaissance, dragging Anna took over by force in the barracks. The woman was completely out of himself and continued to inveigh against Miriam also rebounded in the car the military. On the way he calmed down for a few minutes and began to cry invoking the name of husband and daughter who had left to escape, according to his ravings, in South America with a being disreputable.
White had reached , which set itself the goal, but do not imagine the trouble that would have rained down on him for what he had masterminded. Randomly hitting the target and blatantly wrong without getting any concrete results Mirko had forewarned that something was beginning to suspect. When these assumptions turned into certainties, and the boy had evidence of involvement in the tragic incident caused by Bianca by his sister in the house and waited for the teacher, on a foggy autumn evening, stopped her, was recognized and filled the barrel. Raged so beastly as if he were facing not a woman, even if strong and masculine, but a man in full fitness. From that tragic episode, the teacher, who never wanted denumciare his assailant, went lame and with a visible scar on her right cheek.
Anna instead was finally admitted to a nursing home for nervous diseases from which they came, if not at your funeral. Her husband survived her a lot and, after a long period of hospitalization at a rehabilitation clinic, he took the way of Venezuela where he spent several years near his daughter in the meantime she had married that friend that had come to the rescue in times of need.
Thursday, February 3, 2011
What Should My Psi Be For Pool Filter
ROME: THE CLOWN OF THE CLOWN VICTORY
do not need no introduction to the great clown David Larible which will be Rome from 8 to 27 February at the Victoria Theatre. Larible is considered the biggest clown classic moment. It is certainly the most acclaimed circus artist in the world, at Madison Square Garden in New York every weekend, is seen by 120,000 people. It has a classical character of August with a simple gray suit, a hat to Jackie Coogan Il Monello, a light make up and the classic red nose. In 1988 he was called by Prince Rainier at the Festival of Monte Carlo, where he won a Silver Clown.
has since hired by the largest group of live shows in the U.S., where it is called "The Clown of Clowns."
America is famous, the clown's favorite characters like Jerry Lewis or Sandra Bullock. In
billboard for two months on Broadway. Since 1996, arrived at the stage. The show is staging smooth and coordinated his best numbers. In 1999, returns to the Festival of Monte Carlo, where he won the Golden Clown.
In Italy participated in the Festival of Contemporary Circus Brescia, where he was among the most acclaimed events. It was at the Teatro Goldoni in Venice with great success and sold out criticism.
has since hired by the largest group of live shows in the U.S., where it is called "The Clown of Clowns."
America is famous, the clown's favorite characters like Jerry Lewis or Sandra Bullock. In
billboard for two months on Broadway. Since 1996, arrived at the stage. The show is staging smooth and coordinated his best numbers. In 1999, returns to the Festival of Monte Carlo, where he won the Golden Clown.
In Italy participated in the Festival of Contemporary Circus Brescia, where he was among the most acclaimed events. It was at the Teatro Goldoni in Venice with great success and sold out criticism.
How Many Beads Fit On Troll Bracelet
LECCE: I DREAMED CONSTRUCTION Koreja SHAKESPEARE
EXCLUSIVE REGIONAL
A DREAM IN THE NIGHT SUMMER
Friday 11 and Saturday, February 12 to 20.45 great comeback on the stage of Civic Way Back to Massimiliano A DREAMS IN THE NIGHT SUMMER of William Shakespeare , Romaeuropa recent debut at the Festival. with
For this production was written a new translation, made by the same Civic, which has taken nearly two years of work and presents itself as unique in the world of textual interpretation of the Shakespearean canon and is an absolute novelty for the Italian theater.
Three years after the last work, The Merchant of Venice (Ubu Prize for Directing Award 2008 and 2009 to actors Vittorio Mezzogiorno), on stage in Lecce with great success last season's Koreja, Civic, already artistic director of Theatre of the Cough of Genoa, deals with this new venture production with the Teatro Stabile Umbria, driven by the need to embark on a path that could lead to a People's Art Theatre and combining reality, precision, illusion and magic. The Dream of Shakespeare raises questions about the possibility of staging that resists any attempt to represent: the world of spirits, fairies and elves running through the woods, the moonlight in a theater. The invisible, in fact. The Invisible, which will be shown in this show with technical and signs inherently theatrical ventriloquism through which the actors' voices are detached from their bodies to become invisible, tiny elves and fairies dancing in the air "faster than the sphere of the moon"; walking ghosts of the No Theater, in which Oberon and Titania, aerial spirits and unseen, gliding soar on stage as they did not have weight, and other inventions that are sure to intrigue the public.
a show of Maximilian Civic
Clotilde
costumes props mask Paola Welcome
Atelier Erriquez & Cavarra
body techniques Alessandra Cristiani
techniques of voice Francesca Della Monica
technical supervision ventriloquism Samuel Barletti
Borgogni with Elena, Valentina Curatolo, Nicola Danes,
Oscar De Summa, Mirko Felix, Riccardo Goretti, Armando
Iovino, Maureen Fisher, Alfonso Postiglione, Francesco Rotelli
, Francesca Sarteanesi, Diego Sepe, Luca
Zacchini
to support the production of Romaeuropa Festival
Clotilde
costumes props mask Paola Welcome
Atelier Erriquez & Cavarra
body techniques Alessandra Cristiani
techniques of voice Francesca Della Monica
technical supervision ventriloquism Samuel Barletti
Borgogni with Elena, Valentina Curatolo, Nicola Danes,
Oscar De Summa, Mirko Felix, Riccardo Goretti, Armando
Iovino, Maureen Fisher, Alfonso Postiglione, Francesco Rotelli
, Francesca Sarteanesi, Diego Sepe, Luca
Zacchini
to support the production of Romaeuropa Festival
Rietine, born in 1974, Massimiliano Civic is one of the youngest directors of Italian art.
A training course that included the stage of research (training in Denmark at Eugenio Barba's Odin Teatret), and the school of the Italian tradition (diploma in directing at the National Academy of Dramatic Arts "Silvio D'Amico) but above all an apprenticeship at the Theatre of Cough, alongside Lele Luzzati and Tonino Conte.
A training course that included the stage of research (training in Denmark at Eugenio Barba's Odin Teatret), and the school of the Italian tradition (diploma in directing at the National Academy of Dramatic Arts "Silvio D'Amico) but above all an apprenticeship at the Theatre of Cough, alongside Lele Luzzati and Tonino Conte.
www.teatrokoreja.it
Tuesday, February 1, 2011
Household Condom Lube
AGLIANA (PT) : THE COLLAPSE OF LEHMAN BROTHERS IN THEATRE
CHAPTERS OF THE FALL. A play written and directed by Stefano Massini, with Luisa Cattaneo, Enrico Fink Gabriele Giaffredda. A Production: The Hospitable Court. Saturday, February 5, 2011 at the Teatro Comunale di Agliana (PT)
CHAPTERS OF THE FALL. A play written and directed by Stefano Massini, with Luisa Cattaneo, Enrico Fink Gabriele Giaffredda. A Production: The Hospitable Court. Saturday, February 5, 2011 at the Teatro Comunale di Agliana (PT)
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